Here are some example images of the Pentax FA50 shot wide open, an F-stop of 1.4, using the K-7 DSLR. Having a lens this fast is nice as it allows you to maintain faster shutter speeds as the light level drops. It also provides a very shallow depth of field that can be used to isolate an element in an image.
I took a day trip to Seattle yesterday, with my Pentax K-7 and some lenses. One of the places I visited while walking from Fremont to the University of Washington was Gas Works Park. It’s an interesting thing they have done here. You would expect a city to want to remove any evidence of a locations industrial past when converting it into a park but Seattle did the opposite. They preserved much of the structure from what was a coal gasification plant. More info about it’s interesting history can be found here.
Here are some more images using the Pentax M50 1.7 and the DFA 100 Macro WR.
I’m planning a day trip and was having some difficulty deciding what lenses to take to use with my DSLR. So today I went to a nearby area and took pictures with one possible lens selection. I took the Pentax DA18-55 WR, a SMC M50 1.7, and the DFA100mm Macro WR. This combination gives me a broad focal range and also one fast prime. While I didn’t mind the manual focusing I would have preferred to have used an A series 50mm that would have provided aperture control through the camera rather than the lens. Otherwise it was a pretty good arrangement.
I don’t have much to say about these images other than that they are all about breaking up the uniformity of the gravel with a contrasing element. In the first it’s the pattern impressed into the gravel itself and with the second it’s the sign.
While by digital camera standards this camera is now ancient, November of 2004, I still enjoy using it for Infrared photo’s and sometimes just because I really like it. One thing I’ve recently started to do is to shoot RAW with it despite the fact that the write times with RAW are very long. By shooting RAW and processing in the latest version of Lightroom 3 I am able to wring a lot more detail out of the files than ever before essentially giving it some new life.
Despite the fact that Ricoh has overused the “500” moniker I love the uniqueness of this particular camera. The film advance lever is located underneath instead of the more traditional right thumb location. Being entirely a manual camera exposure levels need to be determined with a light meter or other means. Rather that seeing this as detrimental I actually think that this helps the photographer to really consider what they are perceiving. You need to put some conscious effort into the making of the image.
If you look at the bottom of the camera you can see that there are two locks on either side that secure the back and bottom plate to the rest of the camera. The back must be removed for loading and unloading the film. Inside I’ve circled the two cams that interlock in order to advance the film. The bottom one is made from spring steel in such a way that it advances the film one way but slips over the other one when returning the advance lever. When I first received this camera this mechanism was not working but simply bending the spring steel cam by a fraction of a millimeter, so the two cams met, brought it back into operation. Another thing with this camera was that the focus mechanism was frozen. I carefully applied a small amount of constant force be hand until the hardened grease loosened up. Then by turning the focus numerous times the focus became smooth and even, while it is a bit stiff it could be described as nicely dampened. The reason I mention these things is that the first response to a non functioning camera shouldn’t be to rashly disassemble but to spend time with it and figure out what isn’t working and why.
I have a lot of respect for the workers that prune and tie all these raspberry canes, it must seem never ending at times. Yet every year it’s done so that we can enjoy the tart little treats that are so ephemeral that they are only available fresh for what seems like a week.
I really enjoy seeing how other people paint and the different states that a painting has. I sometimes take pictures while I’m painting and thought I would share this one. As you can see I did do some thin under painting in order to get the elements in place. I followed this with heavier direct painting and then finally some more details like the scratches on the clear plastic. Also you can see that I completely re-located the word MONTH.
The Yashica T3 sports a Carl Zeiss T* 35mm f2.8 lens and uniquely a waist level viewfinder labeled an NA scope (New Angle). Using this viewfinder is a great way to compose images while holding the camera in unconventional positions even overhead. You can override the flash but it re-sets after each shot which is an annoyance. But really this camera is all about the lens which is very good.
